rationale behind choice of buildings
town hall
kings cross station
British library
Brunswick centre
St Pancras Station
kings cross station
British library
Brunswick centre
St Pancras Station
28/3/18
Develop the idea of double exposures on film experiment both with B/W and colour photograph strucktured buildings that have hard liner edges that will form interesting visual shapes.
Develop the idea of double exposures on film experiment both with B/W and colour photograph strucktured buildings that have hard liner edges that will form interesting visual shapes.
16/3/2018 Holden
Go back to the Barbican, use film camera to photograph hard linear structures.
Scratch and destroy background, use masking tape. Merge strand 1 and 3
Go back to the Barbican, use film camera to photograph hard linear structures.
Scratch and destroy background, use masking tape. Merge strand 1 and 3
miroslav tichy
januz miralles
januz miralles
6/3/2018 Powell
1. Architecture - exploded building, Espen Dietrichson OR Patrick Cornillet
2. Portraiture -Limiting how much you can see. Abstracting/composition is just off. Distorting portrait
Andrew Gallo
3. Exploring the limits of photography - Building on damage task in dark room. Seung Hwan Oh
1. Architecture - exploded building, Espen Dietrichson OR Patrick Cornillet
2. Portraiture -Limiting how much you can see. Abstracting/composition is just off. Distorting portrait
Andrew Gallo
3. Exploring the limits of photography - Building on damage task in dark room. Seung Hwan Oh
More images are needed showing the close up details of the environments that you have chosen to look at. As well as details take more portraits with the aim of creating multiple collages drawing inspiration from the work of Wolfgang Tillman and ben Watts.
Muswellhill
Highgate
Crouch end
Hampstead
Muswellhill
Highgate
Crouch end
Hampstead
28/11/17 Powell
Whilst in Leeds photograph all developments (objects left behind, humans of new york, place) and then create a collage from this.
Also visit St Albans ad repeat the same shoot.
Later do another one in London, then stick the collage up in the area - similar to the Woodgreen project below
Also visit St Albans ad repeat the same shoot.
Later do another one in London, then stick the collage up in the area - similar to the Woodgreen project below
22/11/17
Consider the idea of printing out your portraits and then go back to th places that you photographed the people and put them up in the location and photograph the reaction and the images. look at the work of JR particulary his cuba series where he does this Map - place photographs in loc
Consider the idea of printing out your portraits and then go back to th places that you photographed the people and put them up in the location and photograph the reaction and the images. look at the work of JR particulary his cuba series where he does this Map - place photographs in loc
14/11/17 Powell
https://www.youtube.com/watch?v=KPxzlGPrM3A
https://www.youtube.com/watch?v=2IGep_7OOgQ - watch to understand how to approach people for Humans of New York section
photograph and gather stories from people in a location similar to Muswell Hill (non tourist locations) to get a better sense of people who live there
https://www.youtube.com/watch?v=KPxzlGPrM3A
https://www.youtube.com/watch?v=2IGep_7OOgQ - watch to understand how to approach people for Humans of New York section
photograph and gather stories from people in a location similar to Muswell Hill (non tourist locations) to get a better sense of people who live there
13/11/17 Powell
I don't know why you have Development 4 (for example) but no images. Surely you simply put up sets in the order that you photograph them. Delete any superfluous headings etc.
I don't know why you have Development 4 (for example) but no images. Surely you simply put up sets in the order that you photograph them. Delete any superfluous headings etc.
9/11/17
Visit Camden with the aim of capturing the place , People , of the local environment. Will start to focus in a humans of newyork style taking straight to camera portraits.
Visit Camden with the aim of capturing the place , People , of the local environment. Will start to focus in a humans of newyork style taking straight to camera portraits.
31/10/17 part 2
Photograph places, people and objects wherever you are and present these as separate contacts when you put them on your weebly.
31/10/17 part 1
Only holiday pics so far...
Lack of annotation makes it difficult to follow your development.
Define your brief:
Create a portrait of London by photographing the seemingly mundane, day-to-day occurrences.
what do you mean by 'mundane' and 'day-to-day occurrences'? Once you define them you might be more able to know what to photograph.
Photograph places, people and objects wherever you are and present these as separate contacts when you put them on your weebly.
- Put yourself in places where you can photograph people in the environment in such a way that it captures a sense of London. eg. With a monument or landmark in the background or in a reflection, tube signs etc.
- Continue with humans of new york response
- Objects left behind- Richard Wentworth & Christian Marclay's animated street photography
- Perhaps the images could be combined in a collage similar to Ben Watts
31/10/17 part 1
Only holiday pics so far...
Lack of annotation makes it difficult to follow your development.
Define your brief:
Create a portrait of London by photographing the seemingly mundane, day-to-day occurrences.
what do you mean by 'mundane' and 'day-to-day occurrences'? Once you define them you might be more able to know what to photograph.
8/10/2017
look at humans of new york
go to different locations, photograph the people. compare and contrast. consider shooting against a whit background to place emphasis on the people
exactitudes
use pictures from summer work - William, Rose, Diana, Ian, John, Derek
look at humans of new york
go to different locations, photograph the people. compare and contrast. consider shooting against a whit background to place emphasis on the people
exactitudes
use pictures from summer work - William, Rose, Diana, Ian, John, Derek
Light can highlight an individual in the environment. South Bank/Barbican
Use reflection - rainy day/bus/Leiter
Friedlander - shop doors, reflections
Close ups of people - markets (http://fortismereartdepartment.weebly.com/u3-summer-term-2015.html - Borough Market)
-----------
Research Starting Points:
DAIDO MORIYAMA - Tate Modern
GIANNI BERENGO GARDIN - ArtRabbit (until 17th oct at Prahlad Bubbar)
Borough Market - Tate - Prahlad Bubbar
Use reflection - rainy day/bus/Leiter
Friedlander - shop doors, reflections
Close ups of people - markets (http://fortismereartdepartment.weebly.com/u3-summer-term-2015.html - Borough Market)
-----------
Research Starting Points:
DAIDO MORIYAMA - Tate Modern
GIANNI BERENGO GARDIN - ArtRabbit (until 17th oct at Prahlad Bubbar)
Borough Market - Tate - Prahlad Bubbar
3 strands mr nathan
9/3/2017
https://docs.google.com/document/d/16w4mv8RNDL8NMDeSdSnrgJZv6aSToROTBTw-aSy-VXM/edit
9/3/2017
https://docs.google.com/document/d/16w4mv8RNDL8NMDeSdSnrgJZv6aSToROTBTw-aSy-VXM/edit
1/2/2017
FINAL IMAGES, keep to black and white effect. Smooth the second one so it is more natural. Get rid of the sky in the last one and make it a plain background. THINK SIMPLE
FINAL IMAGES, keep to black and white effect. Smooth the second one so it is more natural. Get rid of the sky in the last one and make it a plain background. THINK SIMPLE
Consider the idea of creating a series of images that show the body as indivdual parts look at the work of edward weston and Bill brandt
also look at the work of past students
http://brontemarkwickphotography.weebly.com/unit-4-exam.html
also look at the work of past students
http://brontemarkwickphotography.weebly.com/unit-4-exam.html
15/12/16
It is key that you now show sustained devlopment of a single idea consider the following
merigng of family portraits take a series of family portraist tand then start to merge the in the sytle of
Ulric Collette
It is key that you now show sustained devlopment of a single idea consider the following
merigng of family portraits take a series of family portraist tand then start to merge the in the sytle of
Ulric Collette
Take a series of stripped back close up portraits in the style of Martin scholler where the veiwers attention is solely on the face and its features. The ask them ewhat features they like dont like adn then photograph this close up using the macro lens
http://helenadunnalevelphotography.weebly.com/unit-2.html
9/11/16
The features make make us recognisable to others and give us character and meaning. Consider the idea of covering changing the face and then going out on the street and film the reaction of people. Look a the work of Helena Dunn and consider creating a similar film. Consider different materials such as bandage celotape. Ultimately its a two process undertaking the viewer and the viewed.
The features make make us recognisable to others and give us character and meaning. Consider the idea of covering changing the face and then going out on the street and film the reaction of people. Look a the work of Helena Dunn and consider creating a similar film. Consider different materials such as bandage celotape. Ultimately its a two process undertaking the viewer and the viewed.
- Everyone watching Tv, attention of viewer to tv- faces blurred.
- Explain every step in detail - TV idea, why TV?
- CTV blurred faces, why is this?
- Scientific research, importance of expression, facial features importance
- Implications of no information, entertainment (TV)
- More artists who tackle similar styles.